Wednesday, 26 June 2013
Tuesday, 25 June 2013
PAINTING BUILDINGS ON LOCATION AT BARRINGTON VILLAGE GREEN
Dear all,
Continuing with my prior email about painting in Barrington tomorrow-----
we will be meeting at the car park in Barrington at 9.30 a.m. tomorrow. The car park is opposite the entrance to Challis green and at the beginning of Haslingfield road near the church, see pics above and below, and also map https://maps.google.co.uk
We will be simplifying form again, but this time with buildings, and I have chosen Barrington for it's abundance of pretty buildings, and also it's generous green upon which to sit and paint.
We will be looking at different approaches of style and application.
Please RSVP today so I know who's coming and who's not.
See you there folks
Tuesday, 11 June 2013
SIMPLIFYING FLOWER PAINTING FOR 12 & 13TH OF JUNE CLASSES
This week we will be simplifying flower painting, appologies for these images being on there side, but this is the reference we will be working on this week, if you want to look up the artist, it is Roland Roycroft
Monday, 10 June 2013
My latest painting THE QUEENS HORSE GUARD
This painting is a continuation on my theme of placing objects along the routs of a particular compositional structure, in this case it is a figure 8 on it's side, forming 2 loops.
I'm calling it, ' An exercise in restraint' ( The queens horse guard ) to align the limited pallet with subject matter
I'm calling it, ' An exercise in restraint' ( The queens horse guard ) to align the limited pallet with subject matter
Wednesday, 15 May 2013
SIMPLIFYING MORE COMPLICATED BUILDINGS
Today we were simplifying more complicated buildings close up, which means more accurate detail, but this doesn't mean we have to include all the detail.
Below we were copying an artists impression of this archway which was done almost all in wet in wet, using masking fluid to pick out the highlights.
We were also using a photograph of the Mall, galleries, above, so we could make our own decisions about what to leave in and what not to include.
Careful drawings were made of both, and we alternated between the 2, applying our first and second washes to the arch, example's below, allowing our pencil drawings to form part of the paintings description of detail
Above and left, first washesThe beginners were tasked to paint a flat wash in the area of the buildings for this venice scene, ,which involved using enough water to buy time to paint round the details, we had a practice first of painting complicated shapes without blotches or hard edges, which is why the lagoon looks like it has been invaded by alien jellyfish!
These were more examples of artist simplifying buildings, and photographs that could lend themselves to being simplified
This is one of my own paintings simplified from the photo ref below
Wednesday, 8 May 2013
SIMPLIFYING WIMPOLE
Today's class was to practice simplifying images of Wimpole hall, which we had wanted to visit today, but the weather was too bad to go out
I went yesterday and had a go at simplifying with a big hake, ( flat end brush )
To start practicing we did a wet in wet then a wet on dry version of suggesting all the detail on the back face of Wimpole hall
Here are a few learner examples wet in wet
and wet on dry
This is the huge hake I used, leaving me no opportunity to fiddle with small details, but I lifted out the shape of the trees to find definition when it had dried, made easier from using gum arabic mixed with the paint to start with, which enables lifting of more easily

I asked you all to look up David parfait, as an example of loosely defining colour shapes and picking out detail by lifting out, and also in this case splattering.
I asked you all to look up David parfait, as an example of loosely defining colour shapes and picking out detail by lifting out, and also in this case splattering.
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